HEMINGWAY’S HASHERY By: Michael A. Kechula
Sunday, March 22nd, 2009“I’m looking for Stepford,” Brad said to the heavily armed guard at the town’s entrance gate. “My notes say it should be right here.”
“I never heard of Stepford,” said the guard.
“That’s where guys turned their wives into mindless, cookie-baking robots. It happened about thirty-five years ago. When the government found out, they imprisoned all the men for life and destroyed all the buildings.”
“Doesn’t ring a bell. This town’s called Scriptopia.”
“That’s odd. It doesn’t show up on my map.”
“It’s a very exclusive place. They keep it off maps and the Global Positioning System.”
“That’s what they do for Area 51,” Bret said. “Is this one of those hush-hush research centers?”
“No. All our residents are fiction writers.”
“Any chance of my getting inside to have a look? I’m Bret Harding. I teach History at Santa Buffoona College in California. Here’s my ID.”
After scrutinizing Harding’s ID, the guard said, “We usually discourage visitors. But, since you’re a college teacher maybe the Sheriff will let you in.”
The guard mumbled into a cell phone.
“Sheriff Spitz says you can enter under certain conditions. Are you now, or have you ever been a writer of poetry, limericks, greeting card jingles, nursery rhymes, or song lyrics?”
“No,” Bret lied, figuring they’d never heard of his three books of esoteric, cryptic, noxious poetry.
“I must warn you: poets are strictly forbidden in Scriptopia. Violation of town ordinances carries extremely stiff penalties.”
“I understand. Can you point me to a coffee shop? I could use a good cup of brew after driving so long.”
“Sure. This is Dostoyevsky Drive. Go about a mile, then turn left at Steinbeck Street. It’s on the corner. Hemingway’s Hashery. Oh, the Sheriff said you can stay for only an hour. Better set a timer. He’s one mean SOB. By the way, he writes sock-o detective novels.”
Bret blurted, “Me too,” a fib of monstrous proportions. He couldn’t write a piece of readable prose if his life depended on it. But when it came to iambic pentameter, he was a master.
When the gates swung open, Bret drove down a tree-lined avenue. “Get a load of that,” he mumbled when he saw lampposts shaped like fountain pens.
Beautiful brick homes came into view. Some chimneys emitted puffs of gray smoke. He had to glance twice when a smoke cloud suddenly formed a bubble in which appeared the words, “THE ZOMBIE’S EYES GLOWED, AS HIS POWERFUL PUTRID FINGERS GRIPPED MISS POTTER’S CREAMY NECK.”
“Holy smoke!” Bret yelled, chills running down his spine. He couldn’t wait to get inside the restaurant for a sanity check.
The restaurant was shaped like an old-time, manual typewriter. Once inside, he noticed the place was as quiet as a graveyard. Everywhere he looked, customers were eating with one hand and scribbling in notebooks with the other. Even the kids.
“Mommy. What do you think of this sentence?” a boy asked quietly. “The werewolf grabbed the vampire and twisted his head off.”
“Very nice,” said a blonde woman, patting the boy’s head. “I think you should add some dialog. Tell us what the werewolf said. And maybe you can include what the vampire was thinking as his head was being twisted.” Then she quickly added, “Better finish your Fiction Fries before they get cold.”
When Bret chose a counter seat, he noticed the waitress writing furiously in a notebook.
“I’ll be with you soon as I finish this paragraph,” she whispered.
After several minutes of utter silence, he absent-mindedly tapped keys on the counter. Customers immediately bombarded him with shushing sounds and hostile stares.
“Sorry,” he said.
“Finished,” the waitress whispered. “Sorry to make you wait. Didn’t wanna break my thoughts. Been struggling over that paragraph all morning.”
Her happy-face nametag announced, “Becky Bunkee. Author of The Moiling Mob. 10 weeks on the NY Times Best Seller List.”
“Wow,” he said. “I see, Becky Bunkee, thee art she who wrote a bigee.”
“What did you say?” she snapped.
Oh, hell! I goofed. “I said that I see you’ve hit the big time, with your book being a best seller.”
“No you didn’t. I distinctly heard you say something that sounded like a poem. Are you a poet?” she yelled loudly.
“No. I teach history.”
Suddenly, customers surrounded Bret. “Are you a poet?” they chanted in unison.
The Sheriff stormed in. Handcuffing Bret, he yelled, “You were warned at the gate, Harding. We don’t want any damn poets around here. We’re all refugees from that abominable trash that uses countless, meaningless, mind-bending words to say nothing. It’s five years since somebody tried to sneak in here and convert us from prose writers to poetry hacks. Do you realize what you’ve done? Look at all the innocent kids here munching on Homonym Hamburgers, Simile Sausages, and Personification Pancakes. You‘ve contaminated their malleable minds. Do you think we want them running around yelling, ‘Rosy-posy-chewy-dewy-hokey-smoky?’ It’s downright pornographic, you sleazy malefactor!”
The Sheriff searched Bret and found a petite volume of sonnets in his coat pocket. “Here’s proof!” yelled the Sheriff, elevating the book for all to see.
Women shrieked, men blanched, oldsters threw up, parents shielded children’s eyes to prevent trauma.
That night, citizens gathered to watch Bret walk barefoot across ten feet of white-hot iron rails. Wearing a dunce cap, on which was written, “POET,” Bret never got past the first few inches. When his feet burst into flames, he toppled headfirst into a blazing pit.
“Look,” somebody yelled, as a cloud of smoke rose from Bret’s charred corpse. Inside the cloud appeared the words, “A POX ON THEE FOR KILLING ME.”
“What does that say, Mommy?” asked a kid.
“Nothing. It’s just a stupid poem.”
“What’s a poem?”
“The ravings of demons,” she snapped. “You better forget you ever heard that terrible word. If I ever hear you saying it, I’ll wash your mouth out with acid and sell you to the gypsies.”
—
© 2009 Michael A. Kechula
Michael A. Kechula is a retired tech writer. His fiction has won first place in seven contests and placed in six others. He’s also won Editor’s Choice awards four times. His stories have been published by 124 magazines and anthologies in Australia, Canada, England, India, Scotland, and US. He’s authored a book of flash and micro-fiction stories: “A Full Deck of Zombies–61 Speculative Fiction Tales.” eBook available at www.BooksForABuck.com and www.fictionwise.com. Paperback available at www.amazon.com.