Archive for November, 2009

STONE COLD: By Nancy Brauer

Monday, November 30th, 2009

Shane shifted in the waiting room chair.  Air hissed out of a pinprick hole on the right side of the vinyl cushion.  He leaned left for a second longer this time, then shifted back.  The hiss was a little louder.  Where was the air getting into the cushion?  Certainly not through the tiny hole.

His mother sighed beside him. “Shane, sit still.”

Shane obeyed.  Sitting still had been easy for a while now.

One of the beige doors in the beige waiting room opened.  A balding, middle-aged man whose suit was a little too tight stepped through.  “Hello Mrs. Myers, Shane.  I’m Dr. Reis.”

Mom stood, and Shane followed suit.  “Thank you for working us into your schedule, Dr. Reis.”

Dr. Reis smiled at them both.  “It’s my pleasure.”  Then he focused on Shane.  “How about we talk for a little while, Shane?”

“Okay.  But I’m not crazy.”

Dr. Reis’ smile didn’t falter.  “I didn’t say you were.”

“Mom thinks I am.”

“Shane!”

The doctor was unflappable.  “Your mother’s worried about you, Shane, that’s all.”

Shane nodded, then looked up at Mom.  She was worried, and it was his fault.  “I’m sorry.  I’m okay, really.”  He held up his bandaged right hand.  “Hardly hurts at all anymore.”

Mom bit her lip and squeezed Shane’s shoulder.  A hint of her concern penetrated the cool calm enveloping him.  “That’s good, honey.”

Dr. Reis gestured at the open door.  “We’ll talk in here, Shane.  Mrs. Myers, feel free to turn on the TV if you’d like.”

Mom nodded.  Shane gave her a requisite smile before following Dr. Reis into his office.

Shane looked around as Dr. Reis closed the door behind them.  The room was small and spartan.  A bookcase dominated one wall.  The only other furnishings were two armchairs with an end table between them and a desk near the bookcase.  Shane frowned at the doctor, who sank into one of the armchairs.  “I thought shrinks had leather couches for people to lay on.”

Dr. Reis chuckled.  “TV shrinks, maybe.  Do you know where the term ’shrink’ comes from?”  Shane shook his head.  Dr. Reis motioned at the other chair, so Shane took it.  “Head-shrinker.  In my 25 years of practice, I have yet to reduce the size of patient’s head.”

Shane grinned.  If not for the cold inside he’d have laughed.  “Are we going to talk about the fight?”

“If you’d like.”  Dr. Reis picked up a notepad from the end table, then pulled a pen from an inside suit pocket.  “Is there something you want to talk about?”

“Not really.  But I think Mom wants me to tell you about the fight.”

“Okay, then.” Dr. Reis frowned at Shane’s fading black eye.  “Is that how you hurt your hand and your eye?”

“Yeah.  But I hurt Aaron lots more.”  Thanks to the calmness he didn’t sound like he was bragging.

The doctor wrote something on the notepad.  “Who’s Aaron?”

“He’s a fifth-grader.  Just because he’s tall and fat he thinks he can boss everyone around.  But not me.”

Dr. Reis grinned as he jotted notes.  “I can see that.  What grade are you in?”

“Third.”

“Do you fight fifth-graders a lot?”

“No.  Mostly third-graders.”

“I see.”  Dr. Reis scribbled some more. “What starts the fights?”

“The usual stuff.  Them being jerks.  Some kids try to pick on me because I’m skinny and smart, but I show them.”

Dr. Reis nodded.  “It sounds like it.”  Shane frowned at the doctor’s notepad.  He really wanted to know what the man was writing.  “Do you like fighting?”

“No,” Shane replied. “It hurts.  But some people don’t listen otherwise.”

Reis gave Shane a bemused smile.  “You know, you sit very still for an eight year-old.”

Shane shrugged.  “Not usually.”

“Oh?  Then why are you now?”

“It’s easy when I don’t feel anything.”

Dr. Reis’ pen stilled.  “‘Feel’ as in touch?”

Shane pretended he hadn’t heard the question.  Instead he studied the abstract painting on the wall behind Dr. Reis.  It looked like someone had thrown blue and green paint at the canvas.
Reis’ pen scratched on paper.  Shane saw its faint reflection move in the picture frame glass.  “Did Aaron start the fight?”

Shane gave Dr. Reis a little smile for changing the subject.  “Yeah. Tried to take my backpack.”

“I guess he didn’t like that you fought back.”

“He didn’t.  Even though Aaron’s bigger, he was easy to hit. He’s slow, and does dumb things because he’s angry.”

“Do you get angry, Shane?”

“At first.  Then I get cold and it’s easy.  Fighting, I mean.”

“I see.”  The doctor was writing a lot now.  “What do you mean by ‘cold?’”

Shane bit his lip and turned back to the paint-splatter picture.  He should have known better than to talk about it.

“It’s okay, Shane.”  Dr. Reis didn’t sound upset, so Shane met his eyes.  The older man seemed curious, not uneasy like his parents.  “By ‘cold,’ do you mean ‘not hot?’”

Shane frowned at the doctor.  “Promise you won’t tell my mom.”

Dr. Reis pursed his lips.  “I can’t promise that, Shane.  If it’s something that will help you and your mom, I have to tell her.”

Shane looked idly at the picture, thinking.  Reis could have lied.  Most everyone did, especially to kids.  The doctor had been honest, though.  “I don’t feel anything,” he admitted, keeping his voice low.  “Inside.”

In the picture glass Reis’ pen twitched, but didn’t connect with the paper.  “Thank you for telling me, Shane.”  Shane nodded, and silence stretched.  Reis finally broke it.  “Are you cold now?”

“Yes.”  Shane watched the pen mark squiggles on the reflected notepad.

“Since when?”

“Since the fight.”  Despite Reis’ messy handwriting, Shane could make out the backwards words.  He’d written the date at the top of the page, and Shane’s name–

“Does that usually happen? You feel cold after a fight?”

Shane kept reading, glad for the distraction.  “Not for this long.”  The doctor had noted Shane’s black eye and bandaged hand, history of fights at school–

“How long is it normally?”

“A few minutes.”

Reis dutifuly noted Shane’s reply.  “And this time?”

“Three days.”

After noting that, the doctor scrawled three more words:  “PTSD” and “blunted affect.”  The former was the thing that soldiers got at war.  That didn’t make sense for a kid, so Shane disregarded it for now. Instead he faced Dr. Reis. “What’s ‘blunted affect?’”

Reis blinked with surprise. He looked from Shane, to the picture, to his notepad, then back to Shane.  “You are smart,” he smiled.

“Thanks.”  Shane returned the smile; he liked being called smart.  “What’s it mean?”

“It’s a psychological term meaning lack of emotional reaction.”

Shane frowned.  He should have been upset, but the cold prevented it.  “So I am crazy.”

“No, Shane, it’s just a term.  A description.”  Reis set the notepad aside, then laid one hand on Shane’s shoulder.  Shane felt the man’s honesty, concern, and curiosity.  The combination nibbled at the calmness.
The doctor started to pull his hand back, but Shane caught it with his first. 

“Don’t.  That’s…”  Embarrassment warred with the cold calm.  Shane looked away,  confused.

“Okay.”  Leaving his hand on Shane’s shoulder, Dr. Reis continued.  “Was there anything different about this fight?”

“I don’t think so.”  Shane struggled to remember.  Being kind of embarrassed and scared and numb made it hard.  “Aaron has braces.  That’s why my hand got cut so bad.”

Approval pulsed from Reis, further shrinking the cold.  “Was there a lot of blood?”

“Yes.  From his face and my hand.  And my hand hurt a lot.  Needed stitches.”

Dr. Reis’ sympathy pushed the last of the cool calm aside.  Shane almost missed it.  Emotions filled the void it left: chagrin, worry, and resentment.  The doctor didn’t feel uneasy like Mom and Dad often did.  Parents weren’t supposed to feel weird around their kids.  Why did his?

Shane shrugged off Reis’ hand.  He felt the doctor’s eyes on him.  “Better now,” he mumbled, picking at a loose string in the chair’s upholstery.

“Good.”  They sat in tense silence for a few moments.  “You’re not cold anymore?”

Shane shook his head, then forced himself to meet the doctor’s eyes.  “What’s wrong with me?  It can’t be PTSD, ’cause only soldiers get that.”

Reis blinked again, but recovered quickly.  “First of all, there’s nothing wrong with you, Shane.  I think that something’s bothering you, and we’re talking to find out what it is.   As for PTSD, anyone who’s been through a traumatic experience can have it.  It’s too soon for me to know if you do.  We need to talk some more.”  The doctor smiled warmly.  “In any case, I’m glad you’re feeling better.”

“Me too,” Shane lied.  Normal people didn’t have a “blunted affect” for three days, or Mom wouldn’t have brought him to a psychologist.  Without the emotionless cold the thought tied his stomach in knots.
“Can we talk about the other fights you’ve had at school?”

Shane’s fingers found the loose string.  “Okay.”  He’d play along, even though he doubted that more talking could fix him.

 

©2009 Nancy Brauer

To read more about the world of Strange Little Band, click here:

http://www.strangelittleband.com

And see my interview with Nancy Brauer here:

http://flashesinthedark.com/2009/08/02/sunday-special-strange-little-band

SUNDAY SPECIAL: Dr. Kim Paffenroth and the Living Dead

Sunday, November 29th, 2009
I had the pleasure of chatting with Dr. Kim Paffenroth, Bram Stoker Award Winning author and theological scholar. We talked about his love of all things zombie, his new novel, and the forces behind his analysis of  George Romero’s beloved zombie films.

LT:   Tell our readers a little about your love of zombies, and what lead you to write Gospel of the Living Dead. 

KP:  Well, like a lot of people my age, I can remember the television ads for Dawn of the Dead. They had me hooked. Then, as I got older, I kind of forgot about the humble zombie. I did other things, and got interested in theology.

Then, in my work as a theology or religious studies professor, I started out with the Bible, but kept looking further from it for literary expressions of theological ideas. I first looked at “great” literature (e.g. Shakespeare, Melville, Dostoevsky), but then I started looking at pop culture, and that led to my nonfiction examination of the Romero films, Gospel of the Living Dead: George Romero’s Visions of Hell on Earth (Baylor, 2006).

As I watched his films again, it clicked how he was expressing his insight into human nature, and into a life lived without reason or purpose or a higher calling – it’s just mindless appetite, and someone like Dante would call that “hell” and Romero instead calls it “zombies” but you can see it on display all the time, all around us.   

LT:   How is your background in theological studies reflected in your work? 

KP:  I’ll be direct. I think too much of people’s piety, or of outsiders’ impression of Christianity, is summed up by the inspirational poem “Footprints in the Sand.” That’s a lovely, comforting sentiment, but it’s not the whole story of theology, which has to give some account of the evil, dark, scary, uncomfortable parts of life, the parts where God does not say something nice and sweet to us. So, while most people say “Zombies? But I thought you were a theology professor?” I don’t sense the disconnect. Zombies are just a made-up version of what always bothers us, and which we need our religion to give some answer to – death and suffering.

To give the technical term – all my fiction is to some extent a theodicy, a story of how evil and suffering can exist in a world created and governed by a good God. I try, further, to put in some hints of redemption, though it’s always in the overall context of suffering bordering on the hopeless or despairing, and it’s usually only hinted at, not fully realized in the narrative.   

LT:   What do you find evocative about the horror genre in general? 

KP:  I find the genre helpful because unlike popular piety, it focuses on the dark and painful. Now, that being said, I think the challenge is for horror not to limit itself just to the actual physical abuse going on in the story, but to depict a range of emotions and reactions. I don’t say that just for moral or ethical reasons, but also for aesthetic considerations: it helps give the literature more depth and complexity.   

LT:   Tell us about your own zombie fiction, and when the next book will be out. 

KP:  The next year is shaping up to be a big one for me. My new zombie anthology, The World Is Dead, was just published by Permuted Press. The German edition of my first novel, Dying to Live, will be out next month. That novel will also be re-released by Pocket Books, so it’ll finally be available in retail stores nationwide and not just online. My zombie version of Dante’s Inferno was published this year as a limited edition by Cargo Cult Press, and it’ll be released as a trade paperback from Permuted Press next year. I’m working on the third volume set in the Dying to Live universe and that should be out next year as well. I’m shopping a contemporary ghost story, and when that finds a home, it’ll also be in the publishing queue. So I think people who like my writing should have plenty to choose from in the months ahead.   

LT:   What authors do you like to read in your free time? 

KP:  I read a lot of nonfiction, actually – lit crit, history, and philosophy of religion are my favorite topics. In terms of fiction, I’m afraid I usually go back to the nineteenth century, or to a Gothic writer like Flannery O’Connor. In terms of current horror writers, I prefer those with a more lyrical voice, like Gary Braunbeck or Sarah Langan.   

LT:   After Dying to Live, what other projects do you have planned? 

KP:  I’m thinking another classic of western lit probably needs to have some zombies in it. I’m looking forward to that.   

LT:   Obviously you love George Romero’s work. What other film makers do you like? 

KP:  Walter Hill and Tim Burton. Visually stunning, both of them, and when they get the right script and actors, their characters are also very touching, even though they both have a sense of the weird or fantastic.   

LT:   How does music figure into your creative process? Is there any specific music that would make a good backdrop for your stories? 

KP:  I’m afraid I still listen to 80s metal. All the time, especially when I’m writing or driving.   

LT:   How about visuals? If you had your choice of anyone, what film maker would do an excellent version of a Paffenroth story? 

KP:  Clearly we need to get Romero and Zack Snyder to cooperate on that extravaganza. Can you imagine? You take something like the first fifteen minutes of the Dawn of the Dead remake, and combine it with some of Romero’s best feeding frenzies. Oh, what author wouldn’t want that?   

LT:   If you were going to write about another type of monster, what would it be?  

KP:  I’ve tried my hand at ghosts now a couple times. They’re delightfully the opposite of zombies – spirits with no bodies, instead of mindless bodies shuffling around. But ultimately they have the same problems, which are the same problems even as us “regular” people: they have trouble reconciling themselves to their pasts, and they don’t know how best to relate to other people. It’s just with zombies that’s taken rather literally – they try to eat other people, who try to shoot them in the head.

With ghosts, it’s gentler, but the dynamic is the same I think: the relation of living and dead, the problems of our pasts. They don’t know how they’re supposed to be, or why they’re here. Again, that sounds a lot like all of us, and that’s what I find fascinating about these fantastic creatures.   

LT:   What was it like to win The Bram Stoker Award? 

KP:  They do it up nicely – gowns and tuxedoes and a big gala. Very fun and thrilling. My experience was enhanced, as it was the first con I’d ever been to, and there I am in this ballroom with my name read as a finalist. Then they opened the envelope and read somebody else’s name! I was crushed. But they were playing it up – they said, “Oh no, wait, there’s another name! It looks like we have a tie!” Then they finally read my name!

I was so blown away that when I went to a bar afterwards, I was refused service, as the girl said I was obviously intoxicated already, and I hadn’t had a drink yet that evening.   

LT:   Is there anything else you’d like to add? 

KP:  Just to thank you for taking the time!     

 

©2009 Lori Titus