Archive for May, 2010

SHE COULD BE ME: Rebecca Gomez Farrell

Monday, May 31st, 2010

“I’m delayed,” Tom said over the phone. Celia could barely hear him with the thunder on her end of the line and the airport loudspeaker playing an endless stream of announcements in Spanish, a language she didn’t understand, on his. The announcer’s voice sounded ethereal and discordant at the same time, like a slightly off-tune harp being plucked.
 
“I’ll be home tomorrow,” he continued. “Don’t get bent out of shape, okay?”
 
What was a strange thing to say. She never complained when Tom was delayed.
 
“Can’t wait to see you, love you,” she said, but he’d already hung up. She tossed the phone in her purse and shut the car door.
 
A lightning bolt struck across the street. She felt a crackle of heat, and could have sworn it hit the empty bus stop, but there were no sparks or smoke coming off its metal roof. She reached back inside the car for her umbrella, shaking a little. A flash of orange caught her eye as she closed the door. There was a woman at the bus stop now. She wore an orange skirt splotched with red like a blood orange peel. Her hair fell at her shoulders, obscuring her face; it was the same hazelnut brown as Celia’s and the same length, too. Her skin tone was also similar, tanned to a light bronze that looked gaudy against the bright skirt.
 
She could be me, Celia thought. Except the woman was at least a decade too young, and Celia would never wear an orange skirt. The way she stood was familiar, though, slumping to the left like Celia always did since her left leg was shorter than her right. Her fitted, white blouse seemed a size too small, making her appear distorted, like she was poured into it and about to seep through the seams. She looked up and Celia turned away, not wanting to be caught staring or to see who stared back, either. The woman gave her the creeps.
 
Celia shook off a chill as the first drops of rain fell, then hurried down the street to meet her friend, Dorothy. The doorman at Chez Mer smiled, and she noticed that he had a chipped tooth, the same one she’d broken last spring. That was odd. She lowered her sunglasses to get a better look at it, but he turned to the next patron. She considered waiting outside a moment longer, maybe asking him a question, but the wind was growing more frigid by the second. Besides, this uneasiness was nothing a martini and girl talk couldn’t fix.
 
The dining room looked hazy; her eyes must need to adjust. She blinked a few times then spotted Dorothy talking on her cell at a table nearby, gesturing wildly as always. Celia smiled to see her gray-haired friend, one of the few in their circle who eschewed hair dye, claiming she had nothing to hide. Celia slipped into the chair opposite her.
 
“I’m here,” she whispered.
 
Dorothy nearly jumped out of her seat, “Oh!” She looked like she’d seen a ghost but recovered quickly, “Hank, darling, I need to go, Celia’s here now. Can’t wait to see you, love you.”
 
Funny, Celia always ended her calls to Tom the same way.
 
Dorothy closed the phone and turned to hug her over the corner of the table. “It’s not like you to slip in so quietly! How are you?”
 
Celia soaked up the charisma that emanated from her friend. “I’m fine. It’s been a weird day, though. I think the weather’s getting to me.”
 
“Well, you’ll have to tell me all about it after we order.” Dorothy gestured to the waitress. “Two cosmopolitans, please.” The woman nodded from the bar. “So, tell me what’s going on.”
 
“Well, I got an odd phone call from Tom just a minute ago, and then this lightning—”
 
“Do you think he’s cheating on you?” Dorothy said, peering over the top of her cat-eye glasses.
 
“What?” Celia recoiled and felt a sharp pain above her brow. “Why would you say something like that?”
 
Dorothy turned red, “Oh, I’m sorry. I didn’t mean to suggest that . . . well, I’d never suggest such a thing.” Her voice oozed contrition, “I was only joking.”
 
The pain above Celia’s brow spread to her temples. Dorothy would never seriously imply something like that, of course, but everything was just so bizarre today. “No, I’m sorry. I’m out of sorts. Tom sounded a bit off, that’s all, like something had happened.”
 
“Where is he?”
 
“In Peru. He just finished a research project near Lima.” Dark spots appeared in her periphery vision. There must be something in her eye. She blinked again.
 
The waitress placed their drinks on the table. They were saffron-hued, like the bartender had added orange juice in with the cranberry and swirled them together.
 
“Didn’t we order cosmopolitans?” Celia asked.
 
The waitress’s voice sounded tinny as Celia’s often did in the morning, like a vise was cutting her off from her lower register, “Those are cosmopolitans. Can I get you anything else?”
 
Celia shook her head no, and felt pressure on all sides as she did, as if she were swimming through a fast current.
 
The waitress walked away, her feet clomping on the floor in the same pair of cream loafers that Celia had bought on sale last week. Celia’s breath caught in her chest and a strand of hazelnut hair fell forward and stuck to her bottom lip.
 
“You are not yourself today,” Dorothy said, her eyes full of concern.
 
Celia croaked out the words, “No, I’m not.”  But everyone else is, she thought; I’ve been split to pieces. The nebulous patches in her sight spread, sweeping away the lights of Chez Mer. She could barely see the color drain from Dorothy’s face before her own head hit the table with a thunk as a dazzling orange light flashed before her eyes. Then Celia saw nothing more.

 

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Copyright 2010 by Rebecca Gomez Farrell.
 
Rebecca Gomez Farrell is a writer and editor with a bad case of wanderlust. She presently resides in Durham, NC, where her husband has shackled her with a mortgage. While she works on jimmying the lock, she writes restaurant, wine, and cocktails reviews, a fantasy novel, and a weekly column on General Hospital. Come by her blog, The Gourmez, and help her break free.

SUNDAY SPECIAL: Matthew Warner’s Blood Born

Sunday, May 30th, 2010
I interviewed Matthew Warner about his genre bending book, Blood Born, blending crime story with horror.

Tell us about the plot behind your book, Blood Born.

Blood Born brings back Detective Christina Randall from my first novel, The Organ Donor.  She’s now on the sex crimes squad of the Fairfax County P.D. (near Washington,  DC), investigating a serial rapist whose victims all become pregnant.  She eventually teams up with a fertility doctor who’s the mother of one of the victims.  This doctor’s colleague at the CalPark Fertility Clinic is doing some strange and illegal experiments involving genetic engineering.  Readers familiar with my second novel, Eyes Everywhere, will recognize CalPark as the shady multinational corporation on the tail of Charlie Fields.

The worst thing about these rapes is that all of the victims come to term in just one week.  And when they give birth, their children aren’t exactly human.  In fact, the babies grow to adulthood in just a few days—eating everyone in their path—before going in search of more women to rape.  What starts out as a police procedural in the nation’s capital becomes an apocalyptic monster story. 

How did you first come up with the idea for your story?

I got the idea from the way viruses spread through our bodies, in how they can use a healthy cell to replicate more copies of the virus before destroying it.  I also wanted to do something original and not recycle a monster that people are used to—or sick of—reading about, such as vampires or werewolves.

Did you have any reservations about the violence that occurs with young women in the book?
 
No, because without the violence, Blood Born wouldn’t have a story.  If what you’re really asking me is do I think I’ve written something that is exploitative or which encourages violence against women, then the answer is still no.  In fact, what I like most about this novel is that it’s a horror story women will appreciate.  The protagonists are strong women; the problem faced is directly targeted at women; and the ultimate solution relies squarely upon the ingenuity and biology of women.

Who was your favorite character in the story and why?

I always enjoy any story’s villain the most, and this story was no exception.  Nick Schaefer is the shady scientist who works in the “research” department only one floor over the fertility clinic where Dr. Margaret Connolly works.  He’s a strange-looking man with facial lines in unusual places, and he walks as if he’s been crossbred with a panther.  Why won’t he let Margaret—or anyone else—have access to his floor?  What exactly is he doing up there with his electron microscopes and serums?  And why is he fascinated with Adolph Hitler?

Is there any particular book that inspired your love of writing?

As a teenager, I very much enjoyed Ursula K. Le Guin’s A Wizard of Earthsea, particularly the way it suggested that words have power, that if you could just call something by its true name, you will have control over it.  It’s a profound concept, and it explains in a way what the horror genre tries to do, by giving us power over our fears.  I suppose I’ve always been trying to order the world through my writing—that if I could just describe it the right way in a story, maybe I could shape it into something better.

Another book that had a huge effect on my writing was Syd Field’s Screenplay, which taught me what a story is and how to structure it.  Anyone who wants to be a fiction writer should start there.

How did you come to chose your publisher?

I read about Sonar4 Publications through the submission guidelines at Ralan.com.  Sonar4 and Blood Born seemed like a good match, so I submitted the book there.

Tell us about your writing career and how you decided to pursue writing fiction.

I’ve been writing stories since childhood, when I had the benefit of attending a public school system (Fairfax County, Virginia) that at the time placed a great emphasis on the creative arts.  After high school, while studying for my journalism degree from James Madison University, I continued to write and submit short stories to various markets I read about through the annual Writer’s Market and market zines like Scavenger’s Newsletter.

It wasn’t until I started going to conventions ten years ago, to network with people and generally learn about the industry, that my career started gaining some real traction.  Since that time, I’ve sold five books and a few dozen short stories.  Lately, I’ve made some modest headway into the movie industry, submitting to competitions and teaming up with an excellent independent horror film maker here in Virginia.  I’m not a full time writer yet, but it has certainly evolved into a comfortable side vocation.
 

Does your wife read your work before its off to the publisher? If so, what advice have you found useful?

Oh, yeah.  Deena is my first and best reader.  She illustrates for horror publishers (including doing the cover for Blood Born, incidentally), and we have similar reading interests, so she has a good feel for what works.  What I find the most beneficial is to read to her, aloud, each chapter of a book as I complete it.  That way, I can instantaneously get her feedback on my writing, even from her facial expressions.  Reading to her affords me the added benefit of having to slow down and listen to my own words as they come out of my mouth, which is a great editing tool.

What kinds of stories would you like to see more of in books and movies?
 
Less: following the herd.  “Oh, are Twilight and Harry Potter popular?  Let’s put out a bazillion imitations.”

More: originality.  We don’t need a Nightmare on Elm Street remake.  What we need are new stories and voices.  If publishers and film makers took more chances, I think the risk would be rewarded.

How do you like to write? Do you like to have music on or complete silence, for example?
 
Unless I’m doing something monotonous like data entry, I prefer to work in silence so I can concentrate.  I generally write the best in the morning, when my mind is the most fresh, and of course when my son is down for his nap.
What do you think is the most important thing for writers starting out to know about their craft?

That learning to write well is an endeavor very much like learning a sport or musical instrument.  Just because you speak the language and have learned the mechanics of writing in school doesn’t mean that you have developed your artistic skill.  It requires constant practice, study, and patience.

What authors do you like to read in your spare time?

My favorites include Charlaine Harris, F. Paul Wilson, David Morrell, and Orson Scott Card.

Are there other projects besides Blood Born that our readers should be on the lookout for?

At this fall’s Horrorfind Weekend convention, Darkstone Entertainment will sell a limited edition, short-film trilogy titled The Lovecraft Chronicles.  Director John Johnson and I co-wrote two of the screenplays.  The DVD’s booklet insert will contain a fourth story that I’ll write this summer.

Is there anything that you’d like to add?
Readers are invited to interact with me through my blog at matthewwarner.com.  There’s also an RSS headline feed they can subscribe to.  Thank you for the interview!

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©2010 Lori Titus